Untitled (Metamorphosis 7), Mohau Modisakeng, 2015, inkjet print on Epson Hot Press Natural, 120cm x 120 cm, copyright the artist, courtesy Tyburn Gallery

Silver Hawk, Jason Brooks, 2017, acrylicand airbrush on canvas stretched over polyester cloth, courtesy of the artist and Marlborough Fine Art, London

Akɛ yaaa heko || One does not take it anywhere, Elisabeth Efua Sutherland and Fagot Koroviev, 2018; pigment prints, dimensions various; featuring Alina Maria Veeser; Jacqueline Fadel; Vivian Boateng, James Turkson-Brown; Jeremiah Atcheah; Doris Mamley Djangmah; courtesy of the artists and Gallery 1957, Accra

A.L. Moore is approached by students enthusiastic to meet him at SKI / Secundair Kunstinstituut, Gent

Copyright: National Photo Library of Botrovia

Yaa Asantewaa (working title/ in progress), Lina Iris Viktor, 2016,

pure 24 karat gold, acrylic, sumi ink, gouache, print on matte canvas, 101.6cm x 132.1 cm

The birth of Venus (new series), Godfried Donkor, collage on paper, 2017 courtesy the artist. Godfried created this work for the cover of CCQ. We are very grateful. Thank you bruv!

Apodemy, film still, Katerina Athanasopolou

Lone Taxidermist, 2017, photo: Carlotta Cardana

Collaborative portraits of Athi-Patra Ruga with White City inhabitants, Gástôn van Mülders with Francesca Donovan, photographers assistant for CCQ, 2015.

The History of Humans, (installation/performance view), Chim↑Pom, 2015, Photo: Gástôn van Mülders for CCQ.

Shelving in Christian Andersson’s studio bunker,  Fagot Koroviev for CCQ, Malmö 2016

Untitled, Paul Avis

Megan Broadmeadow collaborated with: Fagot Koroviev; Fashion Director Danielle Rees; session hair stylist Dom Capel; Central St Martin's fashion design students (Belinda Gredig, Salome Kappelin and Scarlet Yang); and students and staff from Carmarthen School of Art.

Studio Mobile, Malleon

Sleeping Pill Action, Venice, Jan Fabre, 13.5.2017, Salute, Venice, Duration ±1 hour

Whilst Jan Fabre was in Venice for the opening of his exhibition Glass and Bone Sculptures, 1977–2017, (a Collateral Event of the 57thVenice Biennale), Fabre collaborated with Koroviev in the production of five formal portraits.

Interpolated film stills from 2 or 3 Tigers, Tzu Nyen Ho, 2015, 2 channel CGI video, 10 channel sound

My Mother’s Wardrobe, Serge Attukwei Clottey and GoLokal, 2016 performative portraits: Fagot Koroviev for CCQ. (All garments: performer’s mother’s own); photographic and logistical assistance: Nii Odzenma and Sophie da Gama Campos

100% Beefcock & the Titsburster, Nov 2015, Abacus, Cardiff, photo: Gástôn van Mülders and Amber Bower